“Yes, a workaholic the urine stain on your pants would signify that you’re a single shake man, far too busy for the follow-up jiggle.” – Ace VenturaĢ2. “Is it number one or number two? I just want to know how much time I have.” – Ace VenturaĢ1. Assholes are closer than they appear.” – Ace VenturaĢ0. Let’s do all the things you want to do.” – Ace Ventura Ace Ventura Quotes and lines to Make You Chuckleġ8. “I want to fight…Go to hell!” – Ace Venturaġ7. “Spank you, Helpy Helperton.” – Ace Venturaġ6. “Holy testicle Tuesday.” – Ace Venturaġ5. Your number’s still 911?” – Ace Venturaġ3. Hey, maybe I’ll give you a call sometime. “Well, I’m not really ready for a relationship, Lois, but thank you for asking. “Nonsense, Poopy-Pants!” – Ace Venturaġ2. “Oh yeah? And you’re ugly.” – Ace Venturaġ1. Related Personal Growth and Development Quotesġ0. “That’s none of your damn business and I’ll thank you to stay out of my personal affairs.” – Ace Ventura I’d like to “ass” you a few questions.” – Ace Ventura Ace Ventura quotes from his best expressions and clapbacksĩ. You sounded like someone else.” – Ace Venturaħ. Unfortunately, in every contest, there must be a loser. “That was a close one ladies and gentleman. “I gotta go guys! I gotta date with your mothers!” – Ace VenturaĤ. “If I’m not back in five minutes… just wait longer.” – Ace VenturaĢ. Your Favorite Detective Ace Ventura Quotesġ. Here are some of the most memorable Ave Ventura quotes.ĭon’t forget to also check out these Jim Carrey quotes on life, money, and success. It’s so stupid, you can’t help but laugh at times. The films are not so much about great storytelling and far more about making you laugh. His quick wit and sometimes vulgar anecdotes have left viewers in tears of laughter for years. This detective is full of gut-busting one-liners and plenty of sarcasm. The first film follows Detective Ventura on his mission to find the missing Miami Dolphins mascot. These Ace Ventura quotes will make you laugh all over again.Īce Ventura, played by actor Jim Carrey, is the star of the 19 comedy films: Ace Ventura: Pet Detective and Ace Ventura: When Nature Calls.
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Once you've bought the model, you'll be able to download the "NKD_Protogen.rar" file. (If you can afford VR, you can afford to support your artists! If you want to keep people doing professional work in the community, then it's good to support them.) Project SetupĪssuming you're planning on working with the NKD Protogen avatar, then the very first step is to buy the base model from the creator. Feel free to message me on Discord at Macil#5633 if you have any questions about this tutorial! I'll try to update this tutorial to address any issues. This tutorial is intended for anyone from a first-time avatar creator to an experienced creator interested in making sure they aren't missing anything in the process. This is a big step up from the past system where every persistent animation could only be done through unlabeled hand gestures that the player had to hold. The Avatars 3.0 system comes with a variety of benefits, including the ability to do quick local testing of avatars without needing to upload it for every change, and a more powerful expressions menu, where in addition to having basic gesture buttons, you can add animation toggles and joystick-controlled animations. As of the time of writing, the NKD Protogen avatar is only officially available as an Avatars 2.0 compatible project, which means that as-is, it's not compatible with Avatars 3.0 and its benefits unless you upgrade it yourself. This is a tutorial about upgrading a VRChat avatar from the Avatars 2.0 to the Avatars 3.0 system (VRCSDK3), specifically about upgrading the NKD Protogen avatar to Avatars 3.0, though some of this tutorial should be relevant to upgrading any avatar to Avatars 3.0. If you're working with the latest version of the model, then my notes page on the NKD Protogen has up-to-date information about setting it up and customizing it! Update (): The latest version of the NKD Protogen model now contains 3.0 support out of the box, so this tutorial is no longer necessary when working with the latest version! This tutorial is now outdated but left as-is. Step 3: Choose Unable to Hear Through Receiver or Speakers. Step 2: Tap on Software Update - Next, if there is an update available, download and install it as usual.Ħ.If after trying the above steps, your voice is still not heard during a phone call or FaceTime call, or if Siri still does not hear your request, please contact Apple support for help. Step 1: Open Settings icon on your iOS device - Tap on General. Then, press and hold the side button until Apple logo shows up on the screen.ĥ.Make sure the latest version of iOS is installed.
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It was premiered on Access Granted on March 23, 2009. However the video has been known for its sex appeal due to the fact that Hilson is laying down in bed wearing nothing more than her undergarments and a extremely thin see through undershirt.ĭuring West's line "This is bad, real bad: Michael Jackson", Hilson is shown mouthing the lyrics and grabbing her crotch in a Jackson-esque manner. There are no specific dance routines featured in the video. The final scene is a small confrontation between her two love interests and the video ends with Hilson's free-falling scene shown again. The final part of the video features a split screen which on the left shows what is happening in the present when West sees Hilson talking with Ne-Yo while the right side of the screen relays the first part of the video in black and white. The next scene follows her life with Kanye West playing her love interest, after which Ne-Yo takes over playing another love interest during his verses. In the video's first scene Hilson is filmed free-falling in the bedroom of her apartment. I was only 18.The music video for "Knock You Down" was shot in Los Angeles, California with director Chris Robinson (director). I pray that these types of flames are still burning in the hearts and minds of those who know what this era meant to us as teenagers growing up. I know, sounds retarded right? But when life throws you that kind of sweet spot, the only way to give it up would HAVE to be by force. I never wanted to leave 2008-2009 in my opinion. When did we let the bar drop so low that radios outright refuse to play these feel good records anymore? Why did we let the standard fall? Why did we stop asking for real music? Why did we stop fighting for the radios and award shows to put REAL artists on stage and on the airways? These songs are golden, forever set in stone as an iconic moment in the history of non-millenials. Music was heartwarming, fashion was at its highest peak for that time, and everything was running smooth. For me, I was in high school (12th grade) when this dropped. This era in music will always remain solidified in the time capsule of our hearts. When I look at you my mind goes on a trip So what we gonna have, dessert or disaster? You see the hate that they servin' on a platter Written by: FLOYD HILLS, KANYE WEST, MARCELLA ARAICA, KEVIN COSSUM, KERI HILSON, SHAFFER SMITH Lyrics © Kobalt Music Publishing Ltd., Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc., Universal Music Publishing Group, RESERVOIR MEDIA MANAGEMENT INC See when love comes it knocks you down, yeah Won't see it comin' when it happens but when it happens I'll admit it, I was scared to answer love's callĪnd if it hits better make it worth the first when it comes around 'Cause I don't wanna make the same mistakes I did Say you gotta take the good, the bad, happy and the sadīut when you bring a better future than I had in the past You should leave your boyfriend now, I'ma ask 'em 'Cause we had it we was magic, I was flyin', now I'm crashin' OMG you listen to that bitch? Whoa it's me, baby, this is tragic How could a goddess ask someone that's only average for advice So I wrote this love letter right before my classes Let the wind blow the ash right before my glasses They say I move to quick but we can't let this moment pass us We were never meant to be baby, we just happened You was always the cheerleader of my dreamsĪnd seemed to only take the head of football teamsĪnd I was the class clown that always kept you laughin' Tell me now can you make it past your Caspers? I swear to you the pimp in me just died tonight, girl The load never too much, she helpin' me pull it Said if I could go back and make it happen faster Hate to know I'm crashin', don't know how it happened 'Til I met this pretty little missile, shot me out the sky I used to be commander in chief of my pimp ship flyin' high Y'all go ahead, I think I'm gonna kick it with my girl today Just get back up when it knocks you down, knocks you down Sometimes love comes around and it knocks you down 'Cause boy, you came around and you knocked me down You got me thinkin' 'bout our life, a house and kids, yeah I never thought I'd fall for you as hard as I did Then you came in and knocked me on my faceįeels like I'm in a race but I've already won first place However, Jenny would reach an understanding with Splinter, remaining on the team and even developing a romantic relationship with the Turtles' longtime ally Casey Jones. It would not be long before Jennika would turn against her new benevolent employers and partner with the New York criminal tech group known as The Street Phantoms in an attempt to return the clan to its former "glory". Introduced into the series in 2015, Jennika (or Jenny as she's commonly referred to) arrived on the scene as a loyal member of the Foot Clan, who were now under the command of their former ninja turtle adversaries led by the anthropomorphic rat sensei/father Master Splinter. Jennika's injury proves severe leaving an emergency mutagenic blood transfusion, delivered by the brains of the Turtles, Donatello, as the former human's only chance of survival. After an encounter with the former co-leader of the Foot Clan, Karai, the formerly human Jennika is mortally wounded. Jennika, a former member of the Turtles rival ninja group the Foot Clan, would become the asset the group never knew they needed. Teenage Mutant Ninja Turtles: Jennika II #4 from IDW Publishing is now available in comic shops and digitally on ComiXology.Comic creators Kevin Eastman and Peter Laird's beloved characters Leonardo, Raphael, Donatello, and Michelangelo may be the most recognized lineup of the Teenage Mutant Ninja Turtlesthere is, but their ranks have since expanded to include a fifth turtle. Since her mutation and entry into the Turtle clan, IDW has been putting a heavier focus on Jennika and it is a move that is paying off big time. The use of colors in place of background detail to draw the eye just to the desired action is always a positive in my book. Especially the way that the panels are set up during later action/fight scenes. The rest of the issue is just spectacular as well. On the art side Nishijima, Pattison, and Lee continue to be a dynamite trio working together as the dream, or more aptly nightmare, sequences that start off the issue are hauntingly beautiful. The best moments of the issue came when Jennika was interacting with the young man central to this storyline. The last arc dealt with corporations and the idea of who or what is a ‘monster’, while this one is diving into gangsters/mob and the fate of a child. Her consistently being the one to patrol Mutant Town and dealing with problems allows for the easiest way to slip right into solo stories like this. The move across the books to give each of the Turtles their own place or thing to do within Mutant Town was solid, especially with Jennika. This familiarity and the comfortable feeling amongst the creative teams just bodes well for the future.īecause Jennika has a lot of unresolved issues and moments from a tough life both before and after she met Splinter and the Turtles, there is so much story to mine in these minis. Her Jennika reads the same as we have seen in Revel’s stories and under Sophie Campbell’s pen in the main book. That series veteran status really shows on the page in just how comfortable she is not only with the world (specifically Mutant Town) but with the characters themselves. Pattison is also no stranger to writing the Turtles as she tackled the scripting of issues #106-108 of the main series. The genre also became increasingly sexualized during this period through its depiction of sexual activity. The 1970s and 1980s saw a gradual Americanization of the genre as New York firms muscled in on Harlequin Mills & Boon’s territory, publishing historical romances and diversifying contemporary romances to include American romantic protagonists, settings, and themes. Over time, the genre changed its representations of gender and attitudes toward women’s work and domestic life. During the 1950s, Mills & Boon novels began to be distributed in North America by Canadian firm Harlequin, and the two companies merged in 1971 to form the romance publishing powerhouse Harlequin Mills & Boon, which had its heyday in the 1970s and 1980s when it became the world’s largest publisher of romances, having 80 percent of the world’s market share of fiction. The modern romance was shaped by British publishing firm Mills & Boon, which became a market leader in the genre by the 1930s with a distribution network in all British Commonwealth countries and colonies in the first half of the 20th century. In prose fiction, Samuel Richardson’s Pamela (1740), Jane Austen’s Pride and Prejudice (1813), and Charlotte Brontë’s Jane Eyre (1847) are considered literary forebearers. The roots of the romance novel can be traced back to Shakespearean comedies, with the celebratory betrothal of the romantic couple forming the happy ending of such plays as Much Ado About Nothing, A Midsummer Night’s Dream, or As You Like It. They may also overlap with any other genre, such as chick lit, historical, crime, suspense, or thriller. They may include varying degrees of sensuality, from the modest discretion of Christian “inspirationals” to highly explicit descriptions of sexual acts in romantic erotica. As long as these two basic requirements are met, romance novels can have any tone or style (barring a mocking or derisive one) and be set in any time (past, present, or future) or place (in the real world or in a fantasyland). According to industry definitions in the United States and Australia, a romance novel consists of “a central love story” and “an emotionally satisfying and optimistic ending” (Romance Writers of America website). But the romance genre consists of more than Harlequin Mills & Boon novels. A Mills & Boon volume is sold every four seconds in more than one hundred countries, translated into twenty-six languages. According to romance publishing behemoth Harlequin Mills & Boon, the company publishes 120 new titles each month, drawing from a stable of 200 authors within the UK and a further 1,300 worldwide. Since the 21st century, romance novels have generated over $1.3 billion dollars in sales per annum in the United States, where one out of four books sold and one out of two mass-market books sold are romance novels. The romance genre is geared financially to a female readership worldwide: a genre written and consumed overwhelmingly by women, and with a male readership of around 14 percent. 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